Bree’s (Lexa Doig) stage 4 cancer diagnosis, revealed last week, seemed like setup for her to sacrifice herself for the kids at one point, reinforced by her acceptance of her fate in her therapy session. Whatever end Chucky is moving to, it has no qualms leaving its teens motherless in getting there. Hopefully the show won’t rely too hard on these flashbacks to ruin the magic of Fiona Dourif’s excellent recreation of her father’s Child’s Play performance by going back to that well too many times would be a shame. While “Little Little Lies” went out of its way to film Dourif and young Tiffany actress Blaise Crocker in ways that mitigated any sense of uncanniness in these different actors bringing established characters to life, the bright, residential neighborhood in which this scene occurs allows for no such obfuscation. We do get another flashback to Charles Lee Ray and Tiffany’s early days in the ‘80s, but it’s a case of diminishing returns compared to last week’s well-crafted exploration of their first meeting.
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Tiff laughs off having stabbed Nica in the leg ten minutes prior to confirm that Chucky had lost control of the parapeligic’s mind with a throwaway ease that really hammers the strength of Tilly’s comedic chops.
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While Fiona Dourif was the runaway star of last week’s episode, Jennifer Tilly is the veteran MVP in “Cape Queer.” Tilly hasn’t lost a step in bringing Tiffany’s gleefully deranged bubbliness to life, and if there’s a ceiling for how zany she can get while satiating her own bloodthirst, Tilly hasn’t even come close to finding it. The opening scene did a fine job of illustrating Andy’s fragile mental state without having to cut to a “Cult of Chucky” clip featuring Andy torturing Chucky’s severed head. Here, Andy and Kyle’s past is simply represented by quick shots from the first two movies in the franchise that tend to distract from rather than add to their current mission as Chucky hunters. Chucky has mostly succeeded in its trips to the past by thematically aligning these vignettes to what’s going on in the present. It’s the kind of pitch-black comedy that Chucky thrives on, but later scenes featuring Andy and Kyle buckle under the weight of too much “previously on Child’s Play…”-style recap. Andy says all he needs to about how seriously he takes the threat of Chucky (Brad Dourif) when he pulls out a gun and shoots Charlie/Chucky in the head as the doll’s 7-year-old owner holds him in her arms. Se les pide a los participantes que demuestren belleza interna y externa mientras dominan pasarelas complicadas, aptitud física intensa, sesiones fotográficas de moda y habilidades publicitarias, todo bajo vigilancia las 24 horas del día de las cámaras AMERICA'S NEXT TOP MODEL.As the two pose as census takers to get close to “Charlie,” the show re-establishes Kyle as Andy’s caretaker nicely by contrasting her controlled questioning of the unsuspecting family with Andy’s straight-to-the-point attitude. Con la asesoría de la supermodelo Tyra Banks y la exposición a gurús de la industria de la moda de alto perfil, los finalistas compiten en un campo de entrenamiento de modelado altamente acelerado, un curso acelerado que podría llevar a la fama de la supermodelo. Las cámaras captan cada momento a medida que los participantes se enfrentan a pruebas semanales que determinan quién realiza el corte. Catorce participantes vivirán juntos y competirán por el increíble gran premio: una oportunidad para ser manejados por Ford Models, una variante de la moda en la revista Elle, y un contrato de $ 100,000 con CoverGirl.
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Creada por la supermodelo de fama mundial Tyra Banks, que es productora ejecutiva de la serie con Ken Mok, AMERICA'S NEXT TOP MODEL narra la transformación de las mujeres jóvenes de todos los días en supermodelos potencialmente feroces.